LE CAP FERRET THE NEW ELDORADO OF FRENCH CINEMA

ine years ago, directed by Guillaume Canet was released on screens. The film was praised by the public (5.2 million viewers), abused by the critics ( spoke about ““,) and snubbed by the industry (two second-rate nominations at the Césars). Whether to drag him down or to save him, people talked about similariities between movies, by Claude Sautet or by Jean-Marie Poiré. For his film - very much inspired by his own life - Canet indeed brought together his bunch of friends. The small world of cinema called them “la bande du Trésor“, named after the Productions du Trésor managed by Alain Attal, who first produced a short film (Guillaume Canet), a first feature film